The mock hostilities having
finally been brought to a close, Mr. Headstone emerges from behind the deal
board to find the Game Chicken and the diminutive figure in cap and apron
enveloped in a companionable cloud of tobacco smoke. The latter gentleman is
introduced as Phil Squod, whom the Chicken is proud to display as a living example
of the incombustible nature of man, and whose history of incendiary misfortunes
– which include being scorched in an accident at a gas-works, and being blown
out of a window whilst case-filling in the firework business – is testament to
the fact that (the recent unfortunate demise of a rag and bone dealer in
Chancery Lane notwithstanding) individuals are not inclined to burn as easily
as wicks or tows. To demonstrate his conviction of this belief, the Chicken
applies the smoldering tip of his cigar to the hem of his companion’s apron until
it catches fire. With perfect equanimity, Phil Squod inhales the smoke as if it
were the finest Virginian leaf, and remarks that it is uncommonly warm for the
time of year, which observation causes much merriment between himself and the
Chicken. Mr. Headstone, fearful of the imminent immolation of his new
acquaintance, looks about him and spies a bucket in the corner. He takes it up,
runs outside to the Pump, fills it with exceedingly cold water, and returns.
Uncertain of his aim, he douses both gentlemen with the contents, which has the
desired effect of dampening both the flames and their humour.
In which one of Mr Dickens's characters goes on a novel journey.
Mr Charles Dickens
Monday, April 29, 2013
Sunday, April 28, 2013
Sharpshooters
The Chicken hailed a hackney-coach
and they drove away to the neighbourhood of Leicester Square, which is a centre of attraction to indifferent foreign hotels and indifferent foreigners, racket-courts, fighting-men, swordsmen, footguards, old china, gaming-houses, exhibitions, and a large medley of shabbiness and shrinking out of sight. Alighting there, they arrive, by a court and a long whitewashed passage, at a great brick building composed of bare walls, floors, roof-rafters, and skylights; on the front of which, if it can be said to have a front, is painted GEORGE'S SHOOTING GALLERY, &c.
The door to this establishment being closed, the Chicken pulled a bell-handle,
which hung by a chain to the door-post, and the door was opened by a very
singular-looking little man dressed something like a gunsmith, in a green-baize apron and cap, whose face, and
hands, and dress, were blackened all over with gunpowder, and begrimed with the loading of guns. By their manner of greeting, which
involved an extended bout of playful sparring, Mr. Headstone surmised that the
two gentlemen were on such familiar terms that they precluded the more
commonplace formalities of acquaintance. He followed them down a dreary passage
into a large building with bare brick walls; where there were targets, and
guns, and swords, and other paraphernalia of the sporting variety. This
assortment of weaponry inspired the combatants to further demonstrations of
sportsmanship, which exhibited itself at first in a duel with foils, and then
in a display of marksmanship involving pistols and rifles, and clay pipes for
targets. Mr. Headstone found it indispensable for his own sense of comfort and
personal safety to take up a position in a corner of the room behind a screen
of unpainted wood, and resolved not to emerge from this place until the echo of
the last report had died down.
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